Ryke wakes after the battle is over, to find Tornor Keep has been overrun by the forces of a Southern conqueror, Col Istor. As one of the few surviving warriors, his life is spared so that he can assist with the transition to Istor’s rule, his obedience secured only by the conqueror’s promise not to harm the old lord’s heir, Errel. Ryke agrees to the terms and is horrified when Errel is forced to act as the Keep’s jester.
Just as it seems that resistance is hopeless, a pair of sinister messengers arrive, bringing an offer of truce from another keep. Ryke is surprised when Errel proposes asking for their help to escape, but all is not as it seems, and Errel knows more than Ryke can imagine. So begins a journey South to meet the dancers of Vanmina, a journey that challenges everything Ryke thinks he knows about the world. But before too long they will have to return to the North and face Col Istor again.
Watchtower is the first book in Elizabeth A. Lynn’s acclaimed trilogy, The Chronicles of Tornor, and it won the World Fantasy Award in 1980. Lynn is one of many well-regarded women writers who were publishing science fiction and fantasy before the 2000s, but whose work is now rather neglected and in danger of being forgotten. Considering the way that women writers have been treated by SFF, it seems sadly appropriate that Watchtower is partly set in a ruthlessly patriarchal society where women are not truly “seen”.
I really loved Lynn’s short stories in The Girl Who Loved the Moon, so I was looking forward to starting on The Chronicles of Tornor. Watchtower is superbly written, at least on a level with Le Guin’s Earthsea in terms of quality. It has a compelling story and interesting main characters. It even has queer characters and a lesbian couple, although this is not too surprising when you realise that Lynn wrote A Different Light, one of the first science fiction novels to feature openly queer characters, and after which a famous gay bookshop was named.
I’m not a fan of high fantasy, but I did enjoy Watchtower and will read the rest of the trilogy. If I have any criticisms, I thought the middle section dragged a bit and Ryke does have to “hold the stupid ball” a lot for the plot to work.
Just a note, there are some depictions of rape during war towards the end. It’s not too much, or too graphic, but just be aware if you’re thinking of reading this and it’s something you’d prefer not to come cross unexpectedly.
Recommended if you like high fantasy or want to explore the writing of women fantasy and SF authors from the 1970s and 1980s (who are not Ursula Le Guin).