I’ve written about The Dreaming before, so this is a bit of a repeat post, but I just had to include it on my ‘Albums that Made Me’ list.
I can’t overestimate the influence The Dreaming has had on my taste in music and, possibly, in shaping aspects of my personality. I must have been around six years-old when I started listening to it. My Dad was a Kate Bush fan and we always had her albums around the house.
The Dreaming is probably the album that first sparked something in me which could be called a sense of “taste” in music. I loved it, but I was also quite terrified by songs like ‘Get Out of My House‘. I was fascinated by the soundscape and the way Kate Bush manipulated her vocals on different tracks. I was slightly outraged that a woman could sound like that! In summary, it got me to start thinking about music.
I would play it in the kitchen and dance madly to ‘Night of the Swallow‘, ‘Sat in your lap‘ and ‘The Dreaming‘. That’s what I mainly remember. Dancing, dancing, dancing until I was exhausted. One time, I ran up and down the room so wildly, I winded myself on the kitchen sink.
As an adult, my favourite Kate Bush album is Hounds of Love, but I still have a very special place in my heart for The Dreaming.
New single out now: Hurry on Home
I first heard of Thea Gilmore sometime back around 2003 when my friends were sharing round a copy of The Lipstick Conspiracies (2000). I didn’t really get into her music until I heard the album, Rules for Jokers (2001), which I loved. Since then, she’s been putting out consistently excellent albums.
Thea Gilmore has a beautiful voice and writes catchy, melodic, socially aware folk/rock songs in the tradition of people like Joan Baez, Bob Dylan, Sandy Denny and Billy Bragg, but with very much her own distinctive sound.
There’s been quite a lot of buzz about her new album, Small World Turning and I finally got to see her play live last week. The gig was as good as I expected. New songs featured heavily, with ‘Cuttleslowe Walls’, ‘Glory’, ‘Don’t Dim Your Light for Anyone’, ‘Grandam Gold’, and ‘The Revisionist’ all being highlights. She also played ‘Saviours and All’ and ‘This Girl is Taking Bets’ from Rules for Jokers, and ‘Old Soul’ from Liejacker. There was a lovely cover of ‘Sweet Child of Mine’ and a great song I hadn’t heard before, ‘The New Tin Drum’.
I’ve listened to Small World Turning a few times since the gig and I think it’s one of her best albums, a gorgeous collection of songs for our time. This is even more of an achievement when you realise that Gilmore did almost all of the work herself after three record companies pulled out.
Here’s to another seventeen albums!
Nick Cave & The Bad Seeds, Nocturama (2003)
While this may be Nick Cave’s happiest, soppiest album, I think it’s far from his best and don’t listen to it very often. But I do like a few of the songs.
Top tracks: Wonderful Life and Bring it On
We were lucky to see this mother and daughter duo play at a local folk festival recently. Delyth & Angharad write and play absolutely beautiful Welsh folk music. There’s an excellent review of their latest album Llinyn Arian (Silver thread) here.
Here they are playing Viva Cariad and an old favourite from my West Wales childhood Sosban Fach
The artwork by Carys Evans is gorgeous too. Love the Gwen John influence.
Album of the Month
Tanya Donelly, Swan Song Series (2016)
This three-CD set brings together all the Swan Song series releases. In style, I’d say the music is a combination of the more poppy Lovesongs for Underdogs and the melodic, country-inflected This Hungry Life. It’s a wealth of gorgeous songs.
Top tracks: Making Light, Why So Sad, VivaKaraoke