Well, this is fabulous – The Queer Bible
“It’s taken me a long time to learn, in fact my whole life so far”
Damn Marianne! This album near destroyed me.
Negative Capability seems to occupy a similar territory to some of Leonard Cohen’s last works. There’s a very conscious sense of someone staring down mortality and trying to tell us something of what they’ve learned from a long life.
Nick Cave and Ed Harcourt are perfect songwriting collaborators for Faithfull. The instrumentation is gorgeous and the songs bring out her strengths, along with a sensitive production from Head, Warren Ellis and Rob Ellis. Yes, her voice is cracked and broken, but boy, can she still put a song across.
And the songs! Faithfull’s 1965 hit ‘And Tears Go By’ has a very different resonance when sung by a 72 year-old woman (“I sit and watch the children play”) and is especially moving because we know what Hell she went through in the following years. ‘The Gypsy Faerie Queen’ is a beautiful song and Nick’s Cave’s rich backing vocals give me chills. There’s a broken-down cover of ‘It’s all over now, baby blue’. No Faithfull album would be complete without a rambling, angry, in-your-face song like ‘They Come at Night’.
One to treasure.
Lovely little video about the making of the album and interview with Faithfull here
Naomi Shihab Nye, Burning the Old Year
“So much of any year is flammable”.
It is a terrible thing, this kindness that human beings do not lose. Terrible, because when we are finally naked in the dark and cold, it is all we have. We who are so rich, so full of strength, we end up with that small change. We have nothing else to give.
Ursula Le Guin, The Left Hand of Darkness
Heart to Mouth released on 7th December
Mary O’ Hara’s Music Speaks Louder than Words (1978) is the first album that I can remember identifying as something that I liked for myself. I must have been around three or four years old at the time. I couldn’t quite manage to say her name, so I called her “auntie”, much to the amusement of my parents.
I now suspect that I was more interested in the photographs of O’Hara on the album cover than I was in the music. I had begun to realise that I was supposed to grow up to be a “lady”, as the people around me said in the sexist language of the time, and here was a “lady” that looked quite appealing to me. We had fields full of buttercups like the one she’s sitting in on the front cover and I was fascinated by the dress she’s wearing on the back.
I didn’t know anything about her, so I looked her up and found that she’s a very influential Irish singer and harpist. She’s had a pretty interesting life, which includes a period spent as a Benedictine nun.
This album has a lot of covers, so I think it must have been aimed at a more mainstream audience, but it’s her traditional Irish folk recordings seem to have had the staying power.
My favourite tracks when I was a child were the covers, ‘Music Speaks Louder than Words’, and ‘Annie’s Song’. As an adult, my top track is ‘Dust in the Wind’. I can’t find O’ Hara’s anywhere, but here’s a great version by Melanie.
I felt I should include one of her performances in this post, so here’s Óró Mo Bháidín which seems to be a favourite and has the most listens on Spotify.