Some of the poems do feel very much of their time, rooted in second wave lesbian feminist politics and culture. They fall into two (linked) groups, poems that challenge the oppression of women under patriarchy (‘the vicious bigotry of all the Pope’s boys’), and poems that explore relationships between women, especially as lovers, friends and mothers and daughters.
There are poems about the position of women in Ireland (‘coming Home’, pornography (‘Photographs’), women’s incarceration in prison (‘Night Protest’) and mental institutions (‘Rope’), and conflicts within feminism (‘Colonised Minds’). ‘In a Dublin Nursing Home’ a lesbian couple have to pretend to be relatives, an experience I’ve heard older lesbians and gay men describe.
They are ambitious, powerful poems, but overall, I preferred reading the more ambivalent, and perhaps messier poems about relationships between women, such as ‘Full Circle’, ‘The Quarrel’, ‘Night’ and ‘Friendship’. These are poems about the unruliness of desire and it’s rather consoling to see that ‘lesbian drama’ hasn’t changed that much in thirty years.
I will definitely look up more of Dorcey’s poetry and will be interested to see how she’s developed since 1982.
You stretch your hand‘After Long Silence’
and some ember of the me
that I was to you,
and and in silence,
recovers the power