I read the first book in Sarah Dreher’s much-loved mystery series last year. Stoner McTavish is an insecure butch lesbian, travel-agent and reluctant detective. In this first outing, a friend of her eccentric aunt Hermione persuades her to investigate the man who’s married her granddaughter, Gwen. This results in Stoner following the couple on honeymoon to the Grand Teton National Park where she soon finds herself and Gwen in peril.
I really enjoyed the book, even though I thought it had quite a few flaws. I’ll get the criticism out of the way first. It felt a bit long for the amount of plot and the villain was very two-dimensional. This might be a personal thing, but I also found the tone a bit off because the cosiness of the mystery seemed to jar with the nastiness of the homophobic and misogynist abuse experienced by Stoner. Honestly, I found the love interest, Gwen, pretty bland too – she’s just kind of the “perfect woman”. Maybe she’ll get more interesting in the later books.
But the charm and humour outweighed the novel’s weaknesses. Stoner is delightful. Her insecurities can be little much at times, but we’ve all known (or been) someone like that. Dreher is very good at writing quirky characters, witty dialogue and at creating a rich sense of place. I wanted to go and stay at the hotel in the park and sit by the fire drinking coffee.
Overall, a fun read and I’ll be trying the next book, Something Shady in which Stoner must go undercover in a rest home.
Emma Donoghue is one of my favourite writers and I particularly love her historical short fiction.
The stories in Astray are based on fragmentary and marginal historical sources, such as news reports, letters, obituaries, legal records and museum exhibits. The overarching theme is people who are on the move, out of place, in transition physically, emotionally, and psychologically. The book is organised into three sections (‘Departures’, ‘In Transit’, and ‘Arrivals and Aftermaths’), and the characters we meet within them are immigrants and emigrants, drifters, adventurers and runaways.
Each story explores the opportunities and risks of movement and boundary-crossing, what’s gained and what’s lost. An elephant is sold to P.T. Barnum, much to the dismay of his zookeeper. A woman supporting her family through prostitution in mid-Victorian London considers making a fresh start in Canada. An eighteenth-century wife tricks her husband out of his fortune and disappears. Another wife persuades a slave to run away with her. A married couple’s new start in America is blighted by tragedy before they can be reunited. Two young men go prospecting in the gold rush. A frontierswoman drags a prodigal husband home. A child is adopted and sent abroad against her first mother’s will. A seventeenth-century puritan community grapples with accusations of sexual “deviance”. A child soldier is caught up in a campaign of organised rape. The daughter of a businessman in New York discovers that the man she knew as her father once lived as a woman. A lesbian artist contemplates her life as her partner descends into dementia.
I really enjoyed Astray and found the stories fascinating and poignant. Donoghue is an emigrant/immigrant herself, moving from Ireland to Canada to pursue a relationship. The ‘Afterword’, in which she talks about how this experience shaped the book, creates a real sense of empathy and resonance. As with much of her work, there’s a focus on the lives of women and queer people, as well as people who live on the margins and don’t really fit into any normative categories.
*** Just one word of warning: ‘The Hunt’ is a deeply disturbing story about rape and I think it could be extremely triggering for people who’ve experienced sexualised violence