I’ve written about The Dreaming before, so this is a bit of a repeat post, but I just had to include it on my ‘Albums that Made Me’ list.
I can’t overestimate the influence The Dreaming has had on my taste in music and, possibly, in shaping aspects of my personality. I must have been around six years-old when I started listening to it. My Dad was a Kate Bush fan and we always had her albums around the house.
The Dreaming is probably the album that first sparked something in me which could be called a sense of “taste” in music. I loved it, but I was also quite terrified by songs like ‘Get Out of My House‘. I was fascinated by the soundscape and the way Kate Bush manipulated her vocals on different tracks. I was slightly outraged that a woman could sound like that! In summary, it got me to start thinking about music.
I would play it in the kitchen and dance madly to ‘Night of the Swallow‘, ‘Sat in your lap‘ and ‘The Dreaming‘. That’s what I mainly remember. Dancing, dancing, dancing until I was exhausted. One time, I ran up and down the room so wildly, I winded myself on the kitchen sink.
As an adult, my favourite Kate Bush album is Hounds of Love, but I still have a very special place in my heart for The Dreaming.
New single out now: Hurry on Home
I first heard of Thea Gilmore sometime back around 2003 when my friends were sharing round a copy of The Lipstick Conspiracies (2000). I didn’t really get into her music until I heard the album, Rules for Jokers (2001), which I loved. Since then, she’s been putting out consistently excellent albums.
Thea Gilmore has a beautiful voice and writes catchy, melodic, socially aware folk/rock songs in the tradition of people like Joan Baez, Bob Dylan, Sandy Denny and Billy Bragg, but with very much her own distinctive sound.
There’s been quite a lot of buzz about her new album, Small World Turning and I finally got to see her play live last week. The gig was as good as I expected. New songs featured heavily, with ‘Cuttleslowe Walls’, ‘Glory’, ‘Don’t Dim Your Light for Anyone’, ‘Grandam Gold’, and ‘The Revisionist’ all being highlights. She also played ‘Saviours and All’ and ‘This Girl is Taking Bets’ from Rules for Jokers, and ‘Old Soul’ from Liejacker. There was a lovely cover of ‘Sweet Child of Mine’ and a great song I hadn’t heard before, ‘The New Tin Drum’.
I’ve listened to Small World Turning a few times since the gig and I think it’s one of her best albums, a gorgeous collection of songs for our time. This is even more of an achievement when you realise that Gilmore did almost all of the work herself after three record companies pulled out.
Here’s to another seventeen albums!
Nick Cave & The Bad Seeds, Nocturama (2003)
While this may be Nick Cave’s happiest, soppiest album, I think it’s far from his best and don’t listen to it very often. But I do like a few of the songs.
Top tracks: Wonderful Life and Bring it On
Album of the Month
Tanya Donelly, Swan Song Series (2016)
This three-CD set brings together all the Swan Song series releases. In style, I’d say the music is a combination of the more poppy Lovesongs for Underdogs and the melodic, country-inflected This Hungry Life. It’s a wealth of gorgeous songs.
Top tracks: Making Light, Why So Sad, VivaKaraoke
The second John Williams soundtrack to make it onto the list of music I was listening to during my most formative years.
My mum took me to see E.T. at the cinema when it came out. I would have been about 6 years old. I found it scary and upsetting and only really liked the bit when the kids’ bikes take flight. I was too young and sensitive for this movie and I don’t know what my mum was thinking. I’ve never actually watched it again!
However, I did absolutely love the soundtrack and nagged my parents until they bought me the cassette. I have clear memories of putting it in our old cassette player in the kitchen and dancing up and down the room.
It’s another beautiful, sweeping score, but as with the Star Wars soundtrack, I don’t think I could bear to listen to this now. The emotions would be too overwhelming.
Top track: Flying theme
“It’s taken me a long time to learn, in fact my whole life so far”
Damn Marianne! This album near destroyed me.
Negative Capability seems to occupy a similar territory to some of Leonard Cohen’s last works. There’s a very conscious sense of someone staring down mortality and trying to tell us something of what they’ve learned from a long life.
Nick Cave and Ed Harcourt are perfect songwriting collaborators for Faithfull. The instrumentation is gorgeous and the songs bring out her strengths, along with a sensitive production from Head, Warren Ellis and Rob Ellis. Yes, her voice is cracked and broken, but boy, can she still put a song across.
And the songs! Faithfull’s 1965 hit ‘And Tears Go By’ has a very different resonance when sung by a 72 year-old woman (“I sit and watch the children play”) and is especially moving because we know what Hell she went through in the following years. ‘The Gypsy Faerie Queen’ is a beautiful song and Nick’s Cave’s rich backing vocals give me chills. There’s a broken-down cover of ‘It’s all over now, baby blue’. No Faithfull album would be complete without a rambling, angry, in-your-face song like ‘They Come at Night’.
One to treasure.
Lovely little video about the making of the album and interview with Faithfull here