Interesting read, Voices: Lessons from LGBTQI History
- Teen Vogue, Before Stonewall Filmmaker Greta Schiller on Life as a Lesbian Teen at the Time of the Stonewall Riots
- The Lesbian Talkshow, Ann Bannon Talks about Beebo Brinker
- Eden S. French, Reintegration reviewed at Lamba Literary
- Lambda Literary, Clara Bradbury-Rance on lesbian visibility and representation in film (interview)
- Moomin.com, Lead cast and national premiere for the first feature drama film about Tove Jansson announced
- Country Queer, Jaimee Harris: Strong, Badass & Vulnerable (interview)
- Amy Ray at No Depression, ND Artist of the decade: A front-row seat to the evolution of Brandi Carlile
- History Extra, The real ‘Gentleman Jack’: the secret life of Anne Lister, Britain’s ‘first modern lesbian’
- The Conversation, Poets and Lovers: The two women who were Michael Field
A website dedicated to LGBTQ country music: Country Queer
Ryke wakes after the battle is over, to find Tornor Keep has been overrun by the forces of a Southern conqueror, Col Istor. As one of the few surviving warriors, his life is spared so that he can assist with the transition to Istor’s rule, his obedience secured only by the conqueror’s promise not to harm the old lord’s heir, Errel. Ryke agrees to the terms and is horrified when Errel is forced to act as the Keep’s jester.
Just as it seems that resistance is hopeless, a pair of sinister messengers arrive, bringing an offer of truce from another keep. Ryke is surprised when Errel proposes asking for their help to escape, but all is not as it seems, and Errel knows more than Ryke can imagine. So begins a journey South to meet the dancers of Vanmina, a journey that challenges everything Ryke thinks he knows about the world. But before too long they will have to return to the North and face Col Istor again.
Watchtower is the first book in Elizabeth A. Lynn’s acclaimed trilogy, The Chronicles of Tornor, and it won the World Fantasy Award in 1980. Lynn is one of many well-regarded women writers who were publishing science fiction and fantasy before the 2000s, but whose work is now rather neglected and in danger of being forgotten. Considering the way that women writers have been treated by SFF, it seems sadly appropriate that Watchtower is partly set in a ruthlessly patriarchal society where women are not truly “seen”.
I really loved Lynn’s short stories in The Girl Who Loved the Moon, so I was looking forward to starting on The Chronicles of Tornor. Watchtower is superbly written, at least on a level with Le Guin’s Earthsea in terms of quality. It has a compelling story and interesting main characters. It even has queer characters and a lesbian couple, although this is not too surprising when you realise that Lynn wrote A Different Light, one of the first science fiction novels to feature openly queer characters, and after which a famous gay bookshop was named.
I’m not a fan of high fantasy, but I did enjoy Watchtower and will read the rest of the trilogy. If I have any criticisms, I thought the middle section dragged a bit and Ryke does have to “hold the stupid ball” a lot for the plot to work.
Just a note, there are some depictions of rape during war towards the end. It’s not too much, or too graphic, but just be aware if you’re thinking of reading this and it’s something you’d prefer not to come cross unexpectedly.
Recommended if you like high fantasy or want to explore the writing of women fantasy and SF authors from the 1970s and 1980s (who are not Ursula Le Guin).
- Atlas Obscura, How Lesbian Potlucks Nourished the LGBTQ Movement
- Tea Leaves a Memoir, Emily Dickinson, The lesbian belle of Amherst
- History Extra, The real ‘Gentleman Jack’: the secret life of Anne Lister
- Tor.com, Watch the first Batwoman trailer
- Autostraddle, 8 Crime Books Featuring Women Loving Women
Dyke camp could also be an oversized basketball vest that hangs low over the armpit and reveals sideboob, or a stacked heel that adds to your height. A dyke camp vision is greedy: it asks for more not in the sense of adding endless details like camp might, but in making things bigger, blowing things up. Dyke camp is simultaneously self-conscious of and delighted by its own visibility.
Dyke camp doesn’t care what others think. It is not particularly interested in being palatable for or even attended to by straight people. As with camp, it’s more like blaring the Batsignal. Dyke camp is showy gestures, a certain hunch of the shoulder, a crooked grin, a beckoning hand, exaggeration, over-amplification, studied disinterest in clothes and very keen interest in everything else. A walk that looks like a dance.
The Outline, Notes on Dyke Camp
We were in London briefly last weekend, me for a work conference and my partner, lucky thing, to see the new production of All About Eve starring Gillian Anderson and Lilly James. But of course we still found time to visit Gay’s the Word bookshop in Bloomsbury, where I treated myself to a few books that I’ve had my eye on for a while.
Sarah Schulman is one of my favourite lesbian writers and I bought her two most recent books. Maggie Terry (2018) is a crime thriller about lesbian PI with addiction issues, while The Cosmopolitans (2016) is a historical novel about the friendship between a black gay man and a middle-aged white woman in the 1950s.
I’ve heard good things about The Crime Writer (2016) by Jill Dawson and White Houses (2018) by Amy Bloom. The first has Patricia Highsmith moving to a cottage in Suffolk to try and finish a novel while also carrying out an unhappy affair, only to find herself the protagonist in a thriller. The second is a love story about the relationship between Eleanor Roosevelt and journalist, Lorena Hickok.
Now You See Me: Lesbian Life Stories (2018) is a collection of personal accounts from older lesbians edited by Jane Traies and looks absolutely fascinating.
I could have spent a lot more, but thought I’d better stop there. So much for not buying any more books until I’ve made a dent in my TBR pile!